Dolby Laboratories DM100 Manual de usuario Pagina 23

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Dolby Model DP583 Frame Synchronizer User’s Manual Applications
3-3
DAT
DP583
AES and Video
Reference
Generator
Dolby E data
locked to
video
reference
AES Ref In
Output Main Input
Video Ref
Main Output
AES
AES
Video
Figure 3-3 Post Production Application
3.3 Dolby Digital (AC-3) Application
Many digital broadcast encoder and uplink systems now have the ability to accept a
pre-compressed Dolby Digital (AC-3) bitstream from an "external" multichannel
Dolby Digital encoder such as the DP569 (as per SMPTE 337M and SMPTE 340M).
However, there are applications in which the Dolby Digital (AC-3) bitstream is not
directly sourced from the Dolby Digital encoder but from an IRD (Integrated
Receiver Decoder) instead.
One example is a DBS or cable turn-around facility that requires the pre-compressed
Dolby Digital bitstream be passed (i.e., without decoding to PCM) through its facility.
A potential problem comes with different time bases between the decoded and locally
frame-synchronized video and the “asynchronous” pre-compressed Dolby Digital
bitstream being fed to a downstream encoder and multiplexer. See Figure 3-4.
In the past broadcast facilities have employed the use of audio sample rate converters
to synchronize the incoming audio to a local clock (usually 48 kHz AES Ref):
however, traditional audio sample rate converters are not compatible with non-PCM
audio data (e.g., Dolby Digital (AC-3), Dolby E) carried over an AES3 interface.
Note that the application in Figure 3-4 depicts two IRDs. One is for passing the
decoded video and audio, which is "locally" frame synchronized, to the local encoder
and multiplexer. The second IRD is used to provide access to the Dolby Digital (AC-
3) bitstream to complete our pass-through scenario. Some IRDs are able to decode the
video and audio and simultaneously pass the Dolby Digital bitstream; however, this
still requires that the Dolby Digital (AC-3) data be synchronized to the local facility
reference using the DP583.
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